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He was deemed too much of a security risk. When do we get to Los Alamos? Where’s Oppenheimer? Then you remember: Einstein wasn’t at Los Alamos. As the film sets up its historical context, detailing Einstein’s 1932 flight from Germany, his respite in England, and, finally, his voyage to the U.S., where he lived out his life, you might start to wonder if this is not a stand-alone doc but the first episode of a series.
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Simon Barker nimbly darts between timeframes, attaching the right documentary footage to the right dramatic scene, and keeps everything humming Einstein and the Bomb is only 76 minutes long, and it feels even shorter. In choosing to forego either a standard documentary format or a low-budget biopic approach, the filmmakers manage to make history feel more human.Įvery Awful Thing Trump Has Promised to Do in a Second TermĪs in so many crisp documentaries, the editor is the unsung hero here. The dramaturgy can get a little clunky, and the hair and makeup won’t be winning any Oscars. Director Anthony Philipson weaves dramatic scenes of Einstein (capably played by a twinkle-eyed Aidan McArdle) with documentary footage the screenplay uses only words spoken or written by Einstein himself.
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This is a docudrama in the truest sense of the word. Now Netflix has dropped a much slimmer but thematically similar docudrama, Einstein and the Bomb, that packs a wallop in detailing how the man widely considered the father of atomic energy came to influence the innovations of the Manhattan Project, and how he lived to regret it. The awards juggernaut Oppenheimer provides a blockbuster treatment of one scientist’s profoundly mixed feelings regarding his role in the creation of the atomic bomb, and its subsequent use in destroying the Japanese cities of Hiroshima and Nagasaki.